Wednesday, February 3, 2010

Cecil B. Demented

Cecil B. Demented Review



When I first saw this film, it was on t.v. I didn't know what to think, but I saw it again and fell in love. This film whether or not you hate it; makes valid points throughout the film. One of the quotes is "Family is another word for censorship." I love family films but I agree with the statement. Does the MPAA rate movies correctly, sense the late sixties they have been bestowed privileges to rate movies. With all that aside its a brilliant film, some parts are disgusting and may be too crude for younger viewers. For the most part "Cecil B. Demented" is an "A" class film, in this critics mind. I suggest renting the movie first or finding a friend with good taste to watch the movie before purchasing it.




Cecil B. Demented Overview


John Waters spoofs independent filmmaking at its most absurd fringe with this affectionate portrait of a guerrilla filmmaking collective that declares war on Hollywood drivel. Bitchy screen queen Honey Whitlock (Melanie Griffith, whose kewpie doll voice and aging baby face are right at home) is kidnapped by would-be auteur Cecil (Stephen Dorff), a slogan-spouting bottle blonde with a cult-like crew of cinema outlaws called "The Sprocket Holes." Cecil has declared war on Hollywood with the ultimate underground movie, "Raving Beauty," and his reluctant star Honey soon adopts her young misfit captors like a worried Mommy as her cultural cachet rises: the falling star has turned into a cult cinema rebel. It's a bizarre revision of the Patty Hearst story (with Hearst herself in a supporting role) full of film insider jokes and '60s revolutionary references, but it's more spoof than satire. Waters's primitive style is often clumsy, and the picture moves in fits and starts, but the cast's enthusiasm brings it to life. Waters has always celebrated misfits, outcasts, and cultural rebels and their self-made families, and this is his most outrageous, anarchic such bunch in decades. Through all the shootouts, bomb throwing, and fights with angry teamsters and suburban moms, there's an odd sense of innocence to the enterprise. It's as if Waters wants to remind us: it's only a movie. --Sean Axmaker


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